![]() ![]() ![]() Except for the fact that hero’s midriff is focused on more than the heroine’s, I didn’t find much relevance. Depending on how thoughtful it is, you will know the intentions of the film. You can tell a lot about a film by its title. With cinema like this, where there are so many external conflicts, there is not much time to cultivate the chemistry between the lead pair, which is why filmmakers repeat the leads that work. This film does not do that we do not know what is going on in any character’s mind at any given moment. Potboilers do not have time to flesh out characters, which is why they use templates that are easily recognisable and self-explanatory. That is why I keep bringing up the word commercial, just to let you know that I am judging this film by those standards. See, I get that masala cinema has its own set of rules. Even the Gatsby-esque plot device that promises great drama is not handled well. The evil brother whose evilness is never explained, and is quickly forgiven. The villains that are supposed to be scary, but are just annoying. The most frustrating thing about this film is that nothing is really earned. If the viewer is crying with a headache while a sad scene is going on screen, it is still a win, apparently. But then again, it could just be Gopi Sundar’s loud and openly manipulative background music. To his credit, some of the emotional scenes do work. Instead of letting hindsight guide him to make better versions of old tropes, the filmmaker chooses to make them worse, without much to counteract the results. But everything else is the same as it was in films from the '90s. Bosu (Jagapathi Babu) inviting the importance of blood relations is a clever way to establish his nature, and is decent foreshadowing as well. One of them is the relationship between Jagadish and his niece, Chandramma, played by Aishwarya Rajesh, who brings gravity and meaning to this woman’s childish stubbornness and eventual pain. Shiva Nirvana, the writer and director of the film, wanted to say many things, most of them noble, even if not new. How Jagadish, Naidu’s youngest son, puts the things back together is what the film’s about. The good Naidu, played by the ever reliable Nasser, dies one fine day, as older men with huge ancestral properties do, and things start to fall apart. As always, the fight is between two upper-caste families: one good Naidu and one evil Naidu. If Prakash Raj’s character from Seethamma Vakitlo Sirimalle Chettu is made to live in this village, he would die of heartbreak in the first few minutes. The landowners are greedy and want more land, which leaves the farmers who own small fields open to attack. Tuck Jagadish is set in Bhudevipuram, a village in East Godavari, if I am to go by the vehicle registration codes. If this is the case, then the plight of the film industry will be changed with the direct releases on Amazon.Varun Dhawan & Janhvi Kapoor’s Bawaal movie review: Not up to Nitesh Tiwari’s calibre Bro movie review: A few good laughs and nothing more The lead TV channels like TV9 and NTV are ignored. The interviews were also allowed only to some selected TV and Youtube Channels. But Nani intelligently answered that he would learn Hindi and come onto the stage next time. The anchor asked a question and suggested Nani answer in Hindi. ![]() When enquired, it seems that the Amazon team said that it was not in their plan. Neither the PROs of the hero nor the film team were taken into consideration while carrying the event.Ībove all, the shock is that the producers are not invited on to the stage to talk. They had their flowchart and everything went on as per their plan. The event was organized by the Amazon team. But they used to get a chance to at least listen to some good words about them during the audio events and pre release functions.īut for the first time, the producers have become totally irrelevant in the trailer launch event of Tuck Jagadish. Already there is no big respect and attention for the producers in this hero and directors driven film industry. ![]()
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